Audrey DuBois Harris is one of the finest sopranos of her generation.
She stands out amongst the best.
— Aretha Franklin

SACRED MUSIC LEGACY

Audrey DuBois Harris stands in a category of her own — a singular artist whose voice, artistry, and spirit bridge two worlds with power, purpose, and grace. Rooted deeply in the tradition of the Black Baptist church, Audrey’s journey began as a young girl singing hymns and spirituals that stirred her soul and awakened her calling. That same foundation — faith-filled, passionate, and unwavering — continues to guide her to this day.

From those earliest moments in the church pews to gracing the world’s grand stages, Audrey’s voice has remained a vessel of both extraordinary beauty and sacred intention. She entered the world of opera as a high school student, cast in a full production with the Florida Grand Opera. That moment set her on a course that led to The Juilliard School, international concerts, operatic stages, and acclaimed recordings — all while holding fast to the foundation that shaped her.

In the realm of sacred music, there is no one quite like her. With operatic vocal mastery and spiritual depth, she has redefined what sacred music can sound like — a seamless fusion of classical technique and divine purpose. Her interpretations of hymns, spirituals, and sacred works are not mere performances — they are ministry, testimony, and transcendent moments of connection. Audrey’s sacred music legacy includes widely acclaimed recordings, landmark performances, and national broadcasts that have resonated across generations and communities. And yet, she carries this legacy forward — not as something separate from her operatic identity, but as something that empowers it.

Now, as she steps boldly into her place as one of opera’s great voices, Audrey DuBois Harris honors her sacred roots not as a chapter closed, but as an eternal thread in her artistic fabric. She sings opera with faith in her heart — and sacred music with the full power of her classical voice. Her journey is not one of either/or — but of divine merging. Of sacred and operatic. Of tradition and transcendence. Of where she comes from and where she is going. And what’s to come is as powerful, as purposeful, and as radiant as the voice that carries it.